Promotional materials

Scope and Contents The materials in the Carolee Thea Papers focus primarily on her career as a writer, with considerable amounts of research materials and documentation surrounding her projects.Series I: Publications contains documentation and drafts (including some media and visual materials) related to Foci: Interviews with Ten International Curators (2001), and On Curating: Interviews with Ten International...

Scope and Contents The Colin de Land, American Fine Arts, Co., and Pat Hearn Gallery Archives is comprised of the gallery records of both American Fine Arts, Co. and Pat Hearn Gallery in addition to the personal files of Colin de Land. Series I: Colin de Land, American Fine Arts, Co. contains the working gallery records which is largely comprised of artist files, in addition to exhibition files, administrative and financial documents,...

Abstract The Collaborative Practices Archive was initiated and developed out of the Colloquium on Collaborative Practices held at the Kunstverein München in July 2004. The aim of the colloquium was to investigate the different working formats that emerge through collaborative practices and the aesthetic, political, and the thematic context-related implications of collaborative work. The Collaborative Practices Archive represents a body of material contributed by participants at each of the...

Scope and Contents The Dwan Gallery Archives consist primarily of exhibition files for exhibitions curated by Virginia Dwan at the Dwan Gallery in Los Angeles (1959-1967) and the Dwan Gallery in New York (1965-1971). Exhibition documentation includes lists of exhibited works, installation views, invitations, press clippings, posters, and exhibition catalogs.Some of the artists that held exhibitions at the Dwan Gallery in New York and Los Angeles include: Robert Goodnough, Robert Richenburg, Larry...

Summary The Edith C. Blum Art Institute Archives contains materials related to the exhibitions, administration, educational programs and exhibition publications of the Edith C. Blum Art Institute. Located on the Bard College campus, the Institute served as an educational resource for the visual arts in the mid-Hudson Valley from 1981-1992. During this time the Institute organized a wide range of programs, including original, scholarly exhibitions of historical and modern art, educational...

Abstract

The Experiments in Art and Technology (E.A.T.) Collection consists of over 500 documents that explore the activities of Experiments in Art and Technology (E.A.T.) from 1965-1981. Included are reports, project descriptions, technical drawings, correspondence, invitations, exhibition catalogues, periodicals, reprints of articles and photocopies of press clippings.

Scope and Contents The Hessel Collection Artist Files date primarily from 1992 to present, the lifespan of the institution. They consist of materials relating primarily to individual artists. The materials in the artist files range from gallery invitations and press on each artist’s career, to select correspondence with artists and artist multiples. Records may include announcements, multiples, biographical information, books, brochures, correspondence, exhibition catalogs, institutional publications,...

Scope and Contents The Ian White Papers are comprised of the personal and professional records and archives of curator, artist and writer Ian White.Series I: Performances and Artworks by Ian Whitecontains promotional material, props and components, publications, notes, planning documents, and documentation relating to performance works by Ian White. This includes collaborative performances, as well as solo works, and records pertaining to...

Scope and Contents The Julia Ann P. Herzberg Papers is comprised of both exhibition documentation and general research files including interviews from roughly 1988 to 1993, followed by publications and ephemera from later curatorial projects from 1994-2008. Series I: Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional...

Scope and Contents The Patricia Barnwell Collins Papers, contains exhibition catalogues and publications produced by Collins & Milazzo, installation views for several Collins & Milazzo exhibitions, invitations, press clippings, and personal memorabilia. The material covers the early 1980s through the 1990s and documents not only the curatorial activities of Collins & Milazzo, but also the Grand Salon, and Tricia Collins Contemporary Art, the latter two established after she and Richard Milazzo...

Scope and Contents The Peter Davidson Collection of Ian Hamilton Finlay consists of the correspondence between Davidson and Finlay from 1987 to 1996. This includes original letters by Finlay to Davidson, as well as photocopied correspondence from Little Sparta that was circulated by Finlay surrounding the cancellation of his French Bicentenary commission with the French Ministry of Culture. The correspondence also documents his battles with the Strathclyde Regional Council concerning the status of the garden...

Scope and Contents The Prem Krishnamurthy Papers are comprised of the collected personal archives of Prem Krishnamurthy, the business archives of the design firm Project Projects, and the gallery records of P!.Series I: Press contains copies of press clippings and full publications containing press referencing work by Prem Krishnamurthy, Project Projects, and P!.Series II: Print Archive consists of copies...

Abstract

The Project Inc. Archive contains the records for the exhibitions and events organized by Paul McMahon from 1972-1975 at the small community art center of the same name (Project Inc.) in Cambridge, MA. For the most part lasting just one day, the exhibitions and events showcased the work of a range of well-known conceptual artists including: Matt Mullican, Dan Graham, Laurie Anderson, Jack Goldstein, Lawrence Weiner, and Michael Asher, among many others.