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Colin de Land and Pat Hearn Library Collection

 Collection
Identifier: MSS-012

Scope and Contents

The collection consists of the libraries built by American Fine Arts and Pat Hearn Gallery as well as the personal libraries of Colin de Land and Pat Hearn. The contents of the collection veer from high to low, from the obscure to the mass produced, reflecting not only the history of both galleries and their relationships to print and publishing, but also the shared and personal interests of Pat Hearn and Colin de Land. A selection of collection material directly relates to exhibitions held at American Fine Arts and Pat Hearn Gallery, including gallery publications as well as catalogues and monographs of affiliated artists. The collection also functions as a record of Hearn and de Land’s extensive orbit, and includes publications submitted by artists soliciting the galleries as well as complimentary copies of catalogues from peer institutions. De Land’s strong involvement in the Cologne art scene of the 1990s is well reflected in the collection, which features many unique German artist’s books and periodicals. Magazines and periodicals factor heavily into the collection, which includes complete or nearly complete runs of a variety of culture and art related publications, including Texte Zur Kunst,Purple and Zing. The collection is also a repository for small-run artist’s periodicals and multiples distributed through underground and unconventional channels; these include PIG magazine, Made in USA, and The Netletter.

However, the publications collected by Pat Hearn and Colin de Land are not strictly demonstrative of the pair’s shared commitment to contemporary art. Treatises on philosophy and Marxism are plentiful, as well as works of classic literature, pulp and mystery novels and contemporary fiction. Biographical works in the collection range from those of Jackson Pollock to Claudia Schiffer.

Encompassing all elements of Hearn and de Land’s lives, the collection also includes a significant selection of books on health, alternative medicine and cancer treatment that were consulted by Hearn and de Land during their respective battles with the illness.

The inscriptions, marginalia and inserts in a large portion of the publications contextualize them as unique objects imbued with narratives. A lipstick kiss mark on the inside of the jacket of Benjamin Buchloch’s Neo-Avantgarde and Culture Industry, or locks of hair pressed into the pages of Books and Portraits by Virginia Woolf illustrate the personal connections embodied by the items. Personal inscriptions abound in the collection, with notes from authors and artists to the gallerists.

In addition to the library portion of the collection, there is also a small manuscript section comprised of unpublished material and ephemera.

Read as a whole, the Colin de Land and Pat Hearn Library Collection presents a unique portrait of each gallery, the artists they represented and interacted with, and the lives of Pat Hearn and Colin de Land.

Dates

  • 1942-2007
  • Majority of material found within 1984-1999

Creator

Access Restrictions

The collection is open to researchers without restrictions. Appointments are necessary to consult manuscript and archival materials. Access copies for media materials may not be available yet. Please contact the CCS Archivist for further details.

Use Restrictions

Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director of the Library and Archives at the Center for Curatorial Studies at Bard College. Please contact ccslib@bard.edu for more information.

Biographical / Historical

The Colin de Land and Pat Hearn Library Collection is comprised of the libraries for Pat Hearn Gallery and American Fine Arts, Co., and the personal library of the gallerists Pat Hearn and Colin de Land. Pat Hearn Gallery opened in 1983 at its first location at 94 Avenue B in the East Village of Manhattan. In 1985, the gallery expanded to another East Village location, at 735 East Ninth Street. In 1988 Hearn moved the gallery again to Soho, at 39 Wooster Street. In 1995, the gallery relocated to the its final location at 530 West 22nd Street in Chelsea, where it remained until its closing in 2002. Over its nineteen years of existence, Pat Hearn Gallery’s program featured a diverse selection of artists working in a variety of mediums, including painting, performance, photography, conceptual art, and video. Pat Hearn Gallery artists included Philip Taaffe, Milan Kunc, Peter Schuyff, Jimmy de Sana, Jutta Koether, Monique Prieto, Julia Scher, Susan Hiller, Renee Green, Simon Leung, George Condo, Jack Pierson and Mark Morrisroe, Joan Jonas, and Lutz Bacher, and others.

Colin de Land’s gallery, American Fine Arts Co. was founded in 1982 as a storefront space on Clinton and Stanton streets in the East Village, operating under the name American Fine Art, which soon changed to Vox Populi. In 1986, Vox Populi moved to 511 East Sixth Street and changed names to American Fine Arts, Co., Colin de Land Fine Art (A.F.A). In 1988, A.F.A relocated to 40 Wooster Street in Soho. In 1993, the gallery moved down the street to a larger location at 22 Wooster Street. In 2000, following Pat Hearn’s death, Colin de Land took over activities at Hearn’s gallery at 530 West 22nd Street as American Fine Arts, Co.—Colin de Land Fine Art at PHAG, Inc. For a period of around two years de Land dually operated this location and his gallery at 20 Wooster Street. In 2002, de Land ceased activities at the Wooster Street location and operated solely out of Chelsea. After de Land’s death in 2003, exhibitions organized by de Land’s contemporaries continued at this location until November 2004. A.F.A. was notable in its subversion of the conventional commercial gallery model. Recurring artists in the A.F.A. program included Cady Noland, Mark Dion, Peter Fend, Andrea Fraser, John Waters, Jessica Stockholder, Christian Philipp Müller, Tom Burr, John Knight, and Silvia Kolbowski, among others. Pat Hearn and Colin de Land were both born in 1955. The pair began a relationship in the mid-1980s, and married in 1999. In 1994, Hearn and de Land helped to establish the Gramercy International Art Fair, which was renamed in 1999 as The Armory Show. Hearn passed away in 2000 after a battle with liver cancer. Colin de Land also lost his life to cancer in 2003.

After A.F.A.’s closing in 2004, the books and printed material in the The Colin de Land and Pat Hearn Library Collection were managed by Daniel McDonald and Christine Tsvetanov, former A.F.A. directors and managers of the estate. In 2006, the collection was purchased by Alexander Schröder, the Berlin-based art collector and co-founder of Galerie Neu. The collection was further organized at this point for exhibition at several European locations. In 2008, a portion of the collection was exhibited at Mehringdamm 72 Galerie in Berlin during the exhibition “Colin de Land: American Fine Arts.” Also in 2008, parts of the collection were shown in the exhibition “Some Neighbors” at Kunstverein München. Items from the Library were displayed in the exhibition “Berlin–Paris” at the private apartment of Daniele Balice and Alexander Hertling in Paris in 2010. In 2011, the collection played a prominent role in the staging of “Dealing with—Some Books, Visuals and Works Related to American Fine Arts, Co.” at Halle Für Kunst and Kunstraum at the Leuphana University of Lüneburg, Germany. In 2014, the Library was exhibited at Artists Space Books and Talks in New York, NY, as part of the exhibition “The Library Vaccine.”

In 2014, the Library and Archives at the Center for Curatorial Studies at Bard College acquired the collection from Alexander Schröder. To reflect the significant input and involvement of Pat Hearn and Pat Hearn Gallery in the development of the Library, the name of the collection was changed from “The Colin de Land Library” to “The Colin de Land and Pat Hearn Library Collection.”

Extent

85 Linear Feet

Language of Materials

English

Abstract

The Colin de Land and Pat Hearn Library Collection consists of the libraries built by American Fine Arts and Pat Hearn Gallery as well as the personal libraries of Colin de Land and Pat Hearn. The contents of the collection veer from high to low, from the obscure to the mass produced, reflecting not only the history of both galleries and their relationships to print and publishing, but also the shared and personal interests of Pat Hearn and Colin de Land. A selection of collection material directly relates to exhibitions held at American Fine Arts and Pat Hearn Gallery, including gallery publications as well as catalogues and monographs of affiliated artists. The collection also functions as a record of Hearn and de Land’s extensive orbit, and includes publications submitted by artists soliciting the galleries as well as complimentary copies of catalogues from peer institutions. De Land’s strong involvement in the Cologne art scene of the 1990s is well reflected in the collection, which features many unique German artist’s books and periodicals. Magazines and periodicals factor heavily into the collection, which includes complete or nearly complete runs of a variety of culture and art related publications, including Texte Zur Kunst,Purple and Zing. The collection is also a repository for small-run artist’s periodicals and multiples distributed through underground and unconventional channels; these include PIG magazine, Made in USA, and The Netletter.

Arrangement

The collection is divided into two series.
Series I: Published Material
Series II: Manuscript Material and Fragments
Oversize Series I: Published Material
Oversize Series II: Manuscript Material and Fragments
Both series are arranged in alphabetical order, in a combination of author name, title and publisher, so as to collocate works by and about specific artists and publishers. The original organization of the publications in each of the galleries and the personal library of Pat Hearn and Colin de Land has been lost. The current arrangement of the collection was established as part of the processing of the collection.

Title
Guide to the Colin de Land and Pat Hearn Library Collection
Author
Hannah Mandel; Collection processed by Ann Butler, Ryan Evans and Hannah Mandel.
Date
February 2019
Description rules
Describing Archives: A Content Standard
Language of description
Undetermined
Script of description
Code for undetermined script

Repository Details

Part of the Center for Curatorial Studies Library & Archives Repository

Contact:
Bard College
Annandale-on-Hudson 12504-5000 USA
845-758-7567
845-758-2442 (Fax)